Brand Ambassador Trip, the footage and the audience together

What you get

What is included, and what is not

The rows that say not included carry this page. A trip happens once and the light on the day cannot be ordered again, so what is and is not in scope has to be settled before anybody books a flight.

Every figure on this page reads live from the shop, and the currency and tax position is stated here rather than left to the checkout screen. Prices are in pounds sterling and no VAT is added. If you are ordering from outside the UK your card issuer sets the exchange rate, and anything due in your own country is outside our invoice.

Included

What the price covers

• Eighteen edited ReelsA full season of short form from one visit, across enough locations and times of day that nothing repeats.
• Two feature films and four paid cutdownsThe cutdowns are built for an ad account from the start, which is different from trimming a film down and hoping.
• Posting from both founder accountsPublished while we are there, when the content is current, rather than filed as a report afterwards.
• Outright ownership of everythingThe same buyout as the tier below, applied to a considerably larger set.
• A written feature and a caption packThe words that make the footage findable, produced during the trip rather than commissioned separately later.
• One partnership rather than three suppliersContent, editorial and creator amplification usually arrive on three invoices from three companies who never spoke to each other.

Why amplification changes the arithmetic

Content published by the people who made it behaves differently

• A destination posting about itself is an advertThe same Reel, published by somebody who went, is a recommendation. That distinction is the whole reason creator marketing exists, and it is lost the moment the only publisher is the brand account.
• Two audiences, not oneVelena's Instagram reaches the consumer travel audience. Dragos's LinkedIn reaches the trade: operators, agencies and partnership teams. Most destination campaigns only ever address the first.
• Published during the trip, not afterPosting while we are on location is the only version that reads as genuine. Delivery of the full set follows later, and the two run in parallel rather than in sequence.
• The assets still belong to youAmplification is added to the buyout rather than traded against it. You own everything filmed, and it is also published by somebody with a reason to be there.

The two things that decide the tier

Rights and what they let you do

Rights are the question every destination brief opens with and most creator quotes answer last, so they are answered in full here rather than as a row in a table.

How it works

Order to delivery in four steps

1. BookAdd the package above and it goes straight to your basket. Nothing is scheduled until we have spoken.
2. Agree the briefSend the destination, your markets, the sites that must appear and anything the posting must or must not say through the contact page. We reply within one business day.
3. Travel, shoot and postWe shoot to the list and publish from our own accounts while we are there, to the schedule agreed in the brief.
4. ReceiveReels, stills, both films, the cutdowns, the captions and the written feature arrive together as one delivery.

Dates are agreed before anything is invoiced beyond the package itself, and we hold them once confirmed. You cover return travel and accommodation for two, plus meals on shooting days. Cancellation or a date move inside 21 days of departure means the travel already booked is not recoverable, so tell us as early as you can and we will move rather than cancel wherever the airline allows it. We travel worldwide: destinations outside the UK and Europe are routine and are quoted the same way, with the longer notice period the only difference.

Questions

Before you order